The imprint gives Dillon Nathaniel some first-time shine, with his label debut falling in line with the level of innovation they’re always looking out for. While “Boom Bap” may dip below the typical tempo they hover over, the tune in no way takes it easy. Riding out over a slow-trotting rhythm, the bit bangs up top with an addicting combination of croaking synths and whistling tones. Before it hits stores tomorrow, we had a quick and dirty chat with Nathaniel, which you can peep right after you bump the premiere below (once won’t be enough, btw).
Your bio depicts you as a “manipulator of frequencies.” What’s your favorite frequency, and why?
My favorite frequencies are between 80 and 250 Hz. They are the most prominent bass frequencies, and they just punch you in the chest!
How would you describe yourself outside of the realm of music?
I would consider myself a very positive, loving person who likes to make people’s day brighter. There is so much negativity happening around the world, so I feel it is important to spread the love.
This week, you’re making your debut on Night Bass with “Boom Bap.” What can you tell us about the tune?
It’s at 122 BPM—a lot slower than you’ll usually hear on Night Bass. I think slowing the tempo down creates more room for the groove. It’s definitely a groovy one!
Which artists from the compilation are you most proud to share space with?
I’d say Sinden, Yolanda Be Cool, Wongo. I have been jamming their tunes [since] before I even made music, so it is pretty wild to be releasing with them.
What does releasing with the label mean to you on a personal level?
It means a significant amount to me and is a huge step in my career. I have listened to Night Bass, Party Like Us, and AC for years now. It is such an honor!
It’s dope to see the label boss himself, AC Slater, has already rinsed this one out. How has it been working in your own sets?
I love seeing the crowd’s reaction to this one; it’s been a blast playing this one out.
Is there a “right” moment when you think it works best?
I think it is a very versatile song, so it could go anywhere in a set. It is originally at a slower tempo, but I have heard it being played up to 5 BPM faster, and it still sounds great.
On social, you’ve said there’s nothing better than making music in your underwear. What about it makes you feel that way?
The freedom! I think our society’s regulations constrict our creativity. It makes me feel less confined.
Are there any other special conditions that help boost your productivity?
Espresssssssssssoooo. Mmm, I love me some espresso.
Follow Dillon Nathaniel on Facebook | Twitter | SoundCloud
Follow Night Bass on Facebook | Twitter | SoundCloud
